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I grew up on a small family farm in central Ohio, where we
spent summers working in the garden, baling hay, climbing trees,
catching butterflies, and hanging laundry outside. I reared
butterflies and moths to adulthood from egg or larvae, caught
tadpoles in the pond, and was fascinated by every form of life on
our 60 acres of hayfields, trees, and pasture. My childhood
instilled in me a deep love for critters – large, small, scaled,
winged, whatever. What I wanted most was a horse; alas, it was
unrequited love, which probably explains why I drew them
obsessively. (After college, I finally was able to indulge my
monomania and spent ten years training and riding dressage and
jumping.) I started drawing as soon as I could hold a pencil, and
have never stopped.
I explored all the graphic media (pencil, charcoal, pen and
ink) throughout childhood, discovered watercolor and pastels
somewhere in my teen years, used acrylics for quite a while, and
finally tried oils in my thirties. It was love at first try, though
learning about all the mediums, solvents, and other fussiness that
goes with oils took some time, since I was learning by trial and
error. In college I majored in computer engineering, and after
graduation worked for almost two decades in R&D and marketing at
Hewlett Packard – so my art education has come from books and
observation.
In the 1990s we began exploring American and Canadian wilderness
areas, and I began drawing and painting wildlife (at last,
something besides horses!). In 2002 I won the Arts for the Parks
Grand Prize, which precipitated our move from California
to Montana and kicked me in the butt to become a full-time artist
(finally!). The painting that won, Illumination, was based on
material from a week we spent observing grizzly bears in the coastal
wilds of Katmai National Park in Alaska. The particular bear I
painted was very comfortable with our presence, as well as
beautiful, and she even issued invitations for us to come play –
what a magical encounter!
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My husband is a private pilot; below the wing of our airplane is
the Ninemile Valley,
where we are privileged to live. It's about 20 miles from Missoula,
Montana. Lots of
woods, deer, elk, black bears, foxes, coyotes...and further up the
valley, deeper into
the Lolo National Forest, there are even wolves.
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I spend a lot of time each year in pursuit of reference material;
I’m very privileged to live close to some splendid wilderness and
wildlife, and firsthand field experience is essential to getting the
excitement and inspiration I want for a piece. Since moving to
Montana, I’ve discovered small-town summertime rodeos and have
become enamored of the color, action, and excitement – and it allows
me to paint horses! It’s great fun to head off to a rodeo, stand out
in the sun and dust for hours, and take a little piece of the
adrenaline in the arena away with me.
Lately, my
work has evolved from straightforwardly representational to
something with a more contemporary edge – I’m having fun playing
with abstract backgrounds, sizzling streaks of color, and big loose
brushwork and knifework. My influences have included masters such as
Bob Kuhn, Carl Rungius, Richard Schmid and Wayne Thiebaud – and I’m
also influenced by the wonderful artists who are painting today,
such as Oleg Stavrowsky, Roy Anderson, and many others. I look
forward to seeing where my work goes; art is not a destination, but
a journey. What a privilege to be an artist! |
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